The Neo-Victorians: Contemporary Artists Revive Gilded-Age Glamour

February 10–May 13, 2018

Decadence is often alluring in its exuberance, but it can also be sinister and subversive in its indulgence. The Neo-Victorians explores a resurgence of interest over the last decade in ornamental lushness that conceals pointed social commentary beneath a seductive surface technique.

There is no coherent “Neo-Victorian” movement—no manifesto or single guiding principle subscribed to by each of these artists. Rather, the exhibition highlights a wide range of artists’ engagement with the aesthetics of the nineteenth century, which they have shaped, molded, and transformed to reflect today’s concerns, commenting on gender roles and societal tensions under the guise of the overt beauty.

The exhibition looks at these works through three broad thematic groupings: the artist as naturalist, the artist as purveyor of the fantastical, and the artist as explorer of domesticity. Some of the artists featured in the exhibition focus on just one of these themes, while others intersect with recurring motifs layered within these broad ideas.

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Artists in the exhibition include: Troy Abbott, Jennifer Angus, Joan Bankemper, Nancy Blum, Ebony Bolt, Laurent Chehere, Alison Collins, Camille Eskell, Lisa A. Frank, Kirsten Hassenfeld, Dan Hillier, Marilyn Holsing, Patrick Jacobs, Pat Lasch, Catherine Latson, Zachari Logan, Davy and Kristin McGuire, Chet Morrison, Donna Sharrett, Deborah Simon, Nick Simpson, and Darren Waterston.

Each of the artists in The Neo-Victorians rejects the notion of industrial mass production, instead visibly emphasizing and reveling in elaborate construction, a surfeit of detailed design, and a visceral appeal to the senses. The artists on view conjure a staggering array of possible approaches to the subject matter, using a wide variety of materials designed to engage the eye.

The Neo-Victorians will encourage audiences both familiar and unfamiliar with the Gilded Age—on view in the Hudson River Museum’s historic home Glenview—to look at the growing group of contemporary artists imbued with a “Victorian aesthetic” and recognize how visual influences of the past continue to shape art in the present day.


The exhibition is supported in part by the Myra Camille Holland Foundation and Courtyard Yonkers Westchester County.

Curated by Bartholomew F. Bland, Executive Director of the Lehman College Art Gallery, City University of New York.

The Neo-Victorians programs are supported in part by a generous grant from Wells Fargo.

The Teaching Artist-in-Residence for The Neo-Victorians: Contemporary Artists Revive Gilded-Age Glamour is Ebony Bolt. Learn more about the Residency Program here.

Ebony Bolt. Botanical Dreams in the Concrete Jungle, 2017. Mixed media. Museum Purchase, 2018 (2018.06).

Selected Press

The Gilded Age’s Glamour Spotlighted at Hudson River Museum Women's Wear Daily (January 29, 2018) ↗
Exhibition of Contemporary Art Employs Victorian Aesthetics as a Lens to Explore Modern Concerns Art Daily (February 18, 2018) ↗
Through the Looking Glass: Peering into the Hyper-real Dreamscapes of Diorama Master Patrick Jacobs The National (Feb/March 2018) ↗
The Pattern and Decoration Zeitgeist Hyperallergic (June 13, 2018) ↗