Robert Zakanitch: Garden of Ornament
June 3 - September 17, 2017
Robert Zakanitch. Fireglow, 2011-2012
Robert Zakanitch
In Quest of the Holy Snail
, 2010

Garden of Ornament, a solo exhibition of the works of Robert Zakanitch, a driving force in the Pattern and Decoration (P&D) movement of the mid-20th century, explores this artist’s depictions of floral beauty.  In the past several years Zakanitch has expanded his art from pattern making to paintings that channel his decorative impulse into art that combines elements of ornamentation, representation, and even decorative whimsey.      

The exhibition features selections from Zakanitch's 2007 oil painting series Tureens, including Ms. Austen Regrets and White Rabbit as well as some of his recent monumental gouache paintings, and Fireglow, 2011-12 from the series Hanging Gardens.

Zakanitch, one of a number artists who have recently moved their studios to Yonkers, grew up in New Jersey, and he recalls the embroidery and floral-patterned linoleum in his Czechoslovakian grandparents’ house. In Yonkers his studio, facing a garden, is infused with the nature he has painted since the 1970s, when he moved from Abstract Expressionism and Minimalism towards pattern and ornamentation, the new aesthetics espoused by feminists and multiculturalism. Zakanitch has written, Beauty is. It is as natural as breathing. Its allure is transforming and I never thought art was about anything else.        

The Hudson River Museum has long been committed to Pattern and Decoration artists. In the 1980s, several P&D artists, such as Cynthia Carlson, worked on projects that drew their inspiration from the Museum’s Victorian home Glenview, where patterned tiles and wall coverings decorate the house. In 2007 the Museum included Robert Zakanitch in its exhibition Pattern and Decoration: An Ideal Vision in American Art, 1975-1985 (October 27, 2007 – January 20, 2008), the first full-scale survey of this historical movement. The catalog of the exhibition, published by the Museum, is a standard in the field.  Arthur Danto, American art critic and philosopher who introduced the publication said, Pattern and decoration is something to live with; it is art that is part of our lives.